"jo
giit main aap ke saamne pesh kar raha huun, vo sab sureele hain, hindustani
hain, aur jazbaati hain. main ye samajhta huun ki har fankaar ka jazbaati hona
bahut zaruuri hai kyun ki agar usme insaniyat ka jazba nahiin hai to vo sahii
fankaar nahiin ho sakta". Madan Mohan sahab ke ye khayaal unki shakshiyat
par roshni Daalti hai. mujhe lagta hai ki unke chahne waale bhi aisi mizaaj
paaye hain.varnaa itni baariqi se unke mulayam mausiqi ko
parakhna mushkil hota. Pichle hafta Anup ke ghar men chand doston ki baiThak
jamii.
Anand
ke pehle farmaish "dukhiyaare naina" se hi mahaul bahut sanjeeda ho
gayi thi aur ham
gehri charcha men duub gaye the. Anup ke mehman nawazi ka ek khaas baat hai ki vo
chai aur namkeen ke saath chuTkule aur lateefe bhi khilaate hain. Ye hasee
mazaak ke kisse
hamen sanjeedagi se bahaar nikaala. Puraa din aisa silisila chalta raha aur
waqt ka ehsaas
nahiin hua. Agla
farmaish "hamare baad mehfil men afsaane bayaan hongi" ke baare men
Anand ne kahaa
"is gaane men itne murkiya hain, gaana ek jagah shuru hoti hai aur kaiin
mod lete hue
ghuumke phir wapas aa jaati hai". 1950's ke kuchh laajawb giiton ka hamne
luTf
uThaya;
"preetam meri duniya men", "ham pyaar men jalne waalon ko",
"saanvari soorat man
bhai re piyaa", "tum chaand ke saath chale aao". "tum
chaand ke saath" men "maTke" ka
khuub istemaal hua. Subhas ne bataya ki 52-54 ke dauraan is saaz ka jyaada zor
tha. Bakshish
Singh ji ne kaha ki Shyam Sundar aur Hansraj Behl ke shaili ka asar Madan Mohan par
hua. Subhas ne Madan Mohan par Anil da aur C Ramchandra ka prabhaav ke baaren men
bhi bataaye. Madan
ji ke giiton men raagon ka prayog par Subhas ne kaafi gyaan baanTa. chitrapat sangeet
men kaiin nagmen raagon ke buniyaad par bane gaye hain, lekin muqammal taur se
us raag ka chalan ko naqal nahiin karte. koi gaana, "darbaari" men
hai ya "darbaari
kanada"
men hai kehne se behtar ye hai ki vo gaana darbari par aadharik hai.
Geet
aur charcha ke saath bhook bhi dauDne lagii. hamne thoDa aaraam faramaya aur Pizza
aur Birizza mangaya. Gair-sangeet muddon ko chheDe, duniya aur duniyadaari ki
baaten ki. Khaane ke baad sangeet men "Chinese Blocks" ka upayog par
baat hui aur
"dil unko uTha ke de diya" ki taareef hui. kaiin geeton ka zikr hua
jisme is saaz shaamil
tha jaise "jaane kyaa tuu ne kahi", "raahi tuu mat ruk
jaana". Kucch
sangeet premi ye kehte hain ki Madan ji ka sangeet shaili "adalat" ke
baad ek karwaT
lii aur shayaad pehle jaisi vibhinnata nahiin rahi. Subhas ne kuchh aise
shabdon men
uska jawab diya "aap saDak se guzar rahe hain aur koii dukaan se ek giit
guunj rahii
hai. kaafi bhiiD aur shor men bhi aap pehchaan liye ki vo Madan ji ki rachna
hai aur vahiin
khaDe khaDe us dhun men giraft ho gaye. Madan ji ki sangeet ka ek khaas chhaap
"Adalat" ke baad saamne aayi. iska matlab ye nahiin hai ki ek film
men saare gaane
isii chalan men ho."
Ek
do giiton ko chhoD ke abhi tak hamne Lata ji ke gaane sune. Ab baari Asha ji ki
thi. "saba
se yeh kehdo", "mere piya chheDe jiyaa" se shuru karke ham 60's
aur 70's ke Asha
ji ke gaane bhi sune. Sundeep Pahwa apne pita ji ka banaya film "Bombay
Race Course"
ka zikr kiya. Ye Nalini Jaywant ki aakhri film thi aur is men Asha ji ka ek khuubsuurat
gaana tha "ye kaun meri zindagi men aa gayaa". Is gaane ke baad
"jaane
kya haal ho" (Maa Ka Aanchal) ka hamne mazaa liya. Is nagma ko sun kar mujhe
Jaidev ji ki yaad aai aur ham kaiin aise sangeet kaaron ke baare men charcha ki
jinke aakhir din nashe ka sahaare men guzre. Subhas
ne bataaya ki 70's ke dashak men Madan ji kaafi maayoos the. Unko "recording
studios" se "dates" milna mushkil ho gaya thaa kyuun ki kuchh
sangeet kaar
pehle se hi "book" kar lete the. Kaiin Kalaatmak logon ko asafalta
bardaash bhii
nahiin hoti hai. Fankaaron ki shakshiyat par bhi charcha hui. Baaton
baaton men kaafi waqt biit gaya tha aur ham "bread pakoda" aur
"cake" ke
saath shaam ka aagaaz kiya. Bakshish ji "cake" laaye the aur iska
khaas vajah unke
pote ki pehli salgirah thi. Shaam hote hi ham sab baahar sair kiye aur apne
apne gharon
ki taraf nikal paDe. in chand sureele lamhon ki yaaden hamesha taaza rahega.
"suhana
safar" ka agla panne ka intezaar karte hue main aap se vida leta hoon.
dil
DhuunDhta hai phir vohii fursat ke raat din ...
