Saturday, August 26, 2006

RMIM meet report - Bay Area (2006)

Food at airport - 10 dollars
Flight from NY to SFO - 300 dollars
Pleasure of attending RMIM meet - Priceless

I was lucky to experince this pleasure for the 10th time, thanks to the following individuals.
Pradeep, Madhuri, Ankit and Niharika; Neha, Vivek, Akshay and Abhishek; Ravindra, Richa and Rohan; Vish Krishnan for organising the meet Nimish and Rricha for hosting me till tuesday
All the meet attendees

Prologue: My plans for the meet were thrown topsy-turvy because of a last minute call saying that my flight was cancelled. I was able to catch an earlier flight though and landed into SFO by 1:00 pm instead of 5:00 pm. This threw the original plan of meeting Animesh near the airport and
getting a ride from Vandana into disarray. Neha kindly offerred to pick me up from caltrain station nearest to her office and then dropped me off at Pradeep's house. Enroute we picked up a huge crate of Samosas and I then realised that this meet was going to have record attendance.

Arrival: I was the first one to arrive at the Dubey residence, and got an opportunity to talk to Pradeep's son Ankit. He talked about his classical music training, cricket practice among other things. Ankit is a chip of the old block ( we are not talking about intel chips here !!) and share's a lot of music interests with Pradeep. We were enjoying tortillas with salsa when my cell phone rang. It was
Nimish. He informed me that he is unable to ftp the sd burman AV clip from Aashish Thakker's site. Thankfully Aashish also set up web access and the problem was solved. (More about the SDB AV in part 2). Pradeep then arrived with a huge crate of Samosa's and as we sat down to eat my cell rang again. This time it was Vandana informing that she hasn't heard back from Animesh. There was no way we could contact him. Animesh belongs to PIGS (Poor Indian Graduate Students) category and
can be forgiven for not having a cell :) Finally I got the word that Animesh missed his scheduled train. As the next train wasn't going to stop at Sunnyvale, Vandana had gone to Mountain View to pick him up. The randomness thrown in by my flight cancellation has been nullfied and order has been restored. Soon Animesh and Vandana arrived. Pradeep's daughter Niharika was amused
when we greeted Animesh. She mistook his name to be Himesh ! Shows how popular Himesh Reshamiya is among kids.

Attendees started trickling in. We were sitting in the backyard of Pradeep's house enjoying the cool breeze and exchanging greetings with who's who of RMIM. Special mention has to made of ppl. who came from other continents. Dr.Shekhar (with his mother) came from Dubai and Gautam Chowdhury came from Holland. Pradeep's friend from Bangalore who was on an offical trip to US was also present. News came in that Chetan Vinchhi (also from Bagalore) worked around his US trip to ensure his presence and will come on Saturday.

Since most of the regualars were present, attention was diverted those who were't coming. Balaji-Malini and Ritu, figured in the conversations. Attempts were made to add a mystic touch to Guri's
abscene. Gautamda finally updated us by saying that Guri won't be able to make it as he is extremely busy.

Marathi takeover:
Guri's abscence meant that there were no "jo bole so nihaal" conversations.I was wondering, "No takeovers this time ?" My train of thought was disturbed by a loud voice" tuu kasa aahes ? "It then dawned upon me that we were surrounded by Marathis. In fact a stong Kobra contingent made it to the meet; Kale, Modak, Vidwans and probably Sabnis.
We feasted on the scrumptious food and moved indoors.

Introductions:
A question popped up. Which meet was this ?
West Coast Meet
Best Coast Meet
Saroj Kalra Pitched in
Best Host Meet
Some other suggestions were drowned in the ensuing laughter. Attendees were asked to name their favorite composers. Whenever SDB got a vote, Vish started announcing the number of votes. My hunch that we will be having an SDB commemorative was converted into a certainity. Under normal circumstances I would have mentioned my favorites as Anilda, Roshan and Sachinda; (like the Suffolk meet) but the atmosphere was far from ordinary. Air was rife with acquisitions of booth
capturing with Neha leading the efforts in rigging the poll in favor of Anil Biswas :) So I stuck with "Zindagi Aur Hum" Roshan and Sachin Dev Burman.

Everyone in Nachketa's family mentioned RDB among their favorites prompting the response "family doctor..composer". Anil Biswas, Roshan and Salil also got a number of votes. SDB probably got the most. Pradeep's son Ankit made his dad proud by mentioning Kishore, Salil and Gulzar
as his favorite artists; only to retract later by saying his favorite singer was his Guru, Nachiketa. Attention then turned to least-favorite composers and Himesh Rehamiya's name came up. Preetam chipped in by saying that Bappi Lahiri is a better singer than a composer. L-P's name was also taken.
Interestingly none of the attendees mentioned CR as their favorite. The large Marathi presence didn't help either, as CR worked in very few Marathi films.Sudhir Phadke, Vasant Prabhu and Hridaynath Mangeshkar were mentioned among the favorites.

Singing session:
Vish sang "aaye kucch abr kucch sharaab aaye", and the regular "nimbuaa tale dolaa rakh do"; Vivek sang "ranjish hi sahi" and some new songs including "mitwa" from Kabhi Alvida.. The Marathi takeover reached its logical conclusion when Shrikhand (prepared by Vandana Vidwans) was served.
Immediately there was farmaish for Ravi and "ye raaten". For a moment I thought, since when did Ravi's "ye raaten ye mausam" become such a favorite. (Ok, I am allowed to have my non-hardcore rmim'er moments) But when Ravindra / UVR took over, I realsied that he was the *Ravi* in
question. The song was now a no-brainer; the cult-song of RMIM meets if ever there was one, "ye raaten ye mausam ye haNsaanaa haNsaana" by Pankaj Mullick. Nitin Sharma and his wife; Vijay and Pragya then arrived. Immediately Pragya was asked to sing. Like any hard-core RMIMers, Vijay and Pragya are hooked to commemoratives. One farmaish came in the form of song 3
from cd 4 :) True to the expectations she began with a song from a commemorative, composed by Zindagi Aur Hum Roshan ! I am referring to "jaa re jaa re merii chhod chunariyaa". She also sang
another Roshan compostion, "o aasmaan ke vaasi" from Aagosh.

The venue for the meet on Saturday was Neha's house in Cupertino and the scheduled time was 11:00 am. I was staying at Nimish's place in Fremont and we were running late. When we reached the venue by 12:00 noon, Nimish had to answer a few questions "Late kyuun aaye ? tumhaari
biwi kyuun nahiin aaii ? :) " Most of the people had arrived by then and the house was bustling with
activity.Everyone was waiting for Ashok and Satish Kalra. While music was the main theme, the hidden theme was musical chairs. Whoever went to pickup / trash the food lost their seats :)

Music personalities: Dr.Shekhar had the good fortune of meeting several stalwarts and he
shared some anecdotes with us. He began with a story on Barsaat, and narrated the events that forced
Raj Kapoor to give pink slip to Ram Ganguly and choose Shankar and Jaikishan. Apparently Lata was called for a recording, and she entered the wrong side of the studio. There she found Ram Ganguly recording the Barsaat song with a different team and alerted Raj Kapoor. His visit to a remote village in Goa to meet Dattaram was quite captivating. Finding the village was an adventure as Shekhar had to cross a river on a stormy day. With some difficutly, he was able to locate Dattaram's house. Dattaram was quite hospitable and talked in length about his career. His breakthrough into the big league was quite incidental. One of the regular tabla players in S-J orchestra wasn't available and that was Dattaram's chance. That catapulted Dattaram from
a song dubbing artist into a full pledged musician. (Satish Kalra chipped in by pointing an analogy of actor Raj Kumar). Dr.Shekhar also talked about his meeting with Basu Manohari. As soon as
Dr.Shekhar took SDB's name among Basu Manohari's favorite composers, Vish's had went up. The vote counter had just been incremented.Basu considers "waqt ne kiyaa kyaa hasiin sitam" among his favorite songs. While we were on Dattaram, the possibility of Gulzar's first song coming from Shriman Satyawadi was also discussed. A parallel topic of some artists not knowing which songs they contributed to also came up. This was more ture for up and coming artists as the only information they get is something like "movie x, song y, take 2". They never know if the song was finally okayed. It is only later when they listen to the song, the realization dawns that their version
was finalised.

Soon discussion drifted to the Parsi community and the Bombay symphony orchestra. Vish mentioned that that famous strech of land in Bombay where western classical music thrived in the yore. Vish posed a question on the composer of the AIR signature tune in Raag Shivaranjani.
Pat came the reply from Arun Simha, Mehli Mehta. Mehli Mehta was the founder of Bombay Symphony orchetrsa and his son is Zubin Mehta.

Sweep Stakes: A bunch of people had gathered in the living room and I realised that everyone were trying to grab LP's that Deepak Sabnis wanted to give away. It included many movie tracks including "The Graduate". Kamlesh Kapoor asked what were the famous songs from the movie, and
Vish started listing the songs one by one, "Mrs. Robinson", " Bridge over troubled waters", " Scarborough Fair". Kamlesh was expecting hindi songs and was quite amused to hear all these Simon Garfunkel tracks. Later we realised that she confused "Graduate" to the Shammi Kapoor movie "Professor". For a true poly glot like Vish, changing gears comes so naturally ! Then it was Surjit singh's turn to give VHS tapes. He distributed one VHS per individual and the remaining ones were distributed at the rate of one per family. People were busy trading the VHS tapes and the venue resembled a true mafia den with "maal" being exchanged :) Some of the video tapes had names thatcudn't be easily deciphered. So we tried to associate them with popular acronymns.

OS - Operating System ( Probably " old songs" or "other songs" )
NSF - National Science Foundation
and so on.
 Surjit Singh also distributed a cd containing Kurshid Anwar's works.

Lunch Break: While music is food for the soul, we need food for the body too. The mouth watering dishes served at the meets are stuff of the legend. We feasted on the Puris and Aalu Sabji among other things:) The dessert was Rasgullah !

Surjit Singh's quiz:
We were divided into two teams. Neha tried to draw imgainary lines of seperation to get Vish into her team :)

In true professor style he began "write numbers 1 to 24" We asked " in descending order" ?
After that he played songs from Vol 1, and we had to identify the singers. After 4 songs he realised that the exam is too difficult and converted it into take home. Naniwadekar's presence might have made a difference !
After the quiz Surjit ji gave us a cd of the songs.

"man panchhi albelaa" - Commmorative on Sachin Dev Burman:
The time for the most awaited moment of the meet came up. I was ecstatic when my prediction turned into a reality. Vish said a few words about Burmanda, played the piano prelude of the song "yaad aa gaii vo nashiili nigaahen" and a Lata masterpiece from Mad Bhare Nain. Was it "mose saanchi kaho baNvari" ?

Shekhar's quiz: This was badalte saathi based on song picturizations. A portion of the song was played and the pair on which the song was picturised and most clues were from Vol IV and V with a few from vol III.

A snapshot of the answers would look like this.
gun gunaa rahe hain banvare - Rajesh Khanna, Sharmila Tagore - Aradhana
gorii gorii gaanv ki gorii re - Dev Anand, Sharmila Tagore - Ye
Gulistaan Hamara uff kitni thandi hai ye rut - Dev Anand, Simi - Teen Deviyaan
Each clue had 9 points, 3 for each actor on which song was picturised and 3 for the movie name.
Ashok, Chetan, Neha, Satish Kalra, and Vish were the captains for the teams.
Our team had just 5 people and Ashok expected that I would know most of the songs and made me the captain :) Quite a few songs spanned from mid 60's to mid 70's period, an era which is not my forte. There were a bunch of songs by "Charan Das" including that one from Gopi, "gentleman gentleman gentleman". Honestly I don't find anything gentle or gentlemanly about the song !
Vadana took a break and went out. Suddenly Neha got a phone call from Vandana and there were acquistions that she was reading answers from geet kosh. All hell broke loose when her answer paper was snatched :)
There was one song where Rafi goes something like "ui aama" and I was literally laughing.
2 of the teams came very close to answering all the questions and We didn't even bother to count our points.

Match the pairs: Then it was my turn. I divided teams into two, one with Satish Kalra and
the other with Vish.
I played antaras of 20 songs. First part was to guess the mukhda and and movie name.
Second part was to find pairs, given that movie name of one song is contained in mukhda of the other.
There were 8 pairs and 4 dummy clues (indicated with *). One twist was
that one of the pairs wasn't unique.Song number 1 matches with 8 as
well as 20. However of 1 is paired with 8,then 20 cannot be paired. So
teams will be able to make only 7 pairs.

1)khoii khoii akhiyaan niind binaa (Chand) (1)
2)unkaa ishaara jaan se pyaara(Pehli Nazar) *
3)main pyaar ka RAAHI huun (2)
4)armaan bhare dil kii LAGAN tere liye hai (3)
5)rasiyaa re man basiyaa re (Pardesi) (4)
6)suno More Nainaa (Daaera) *
7)ab gam to banaalenge jiine ka sahaara (Nirmohi) (5)
8)chaand so gayaa taare so gaye (Raahi) (2)
9)hat gaii lo kaalii ghaTaa (Lagan) (3)
10)ik PARDESI meraa dil le gayaa (4)
11)nain dwaar se man men vo aake (6)
12)daakiyaa, daak laaya (Palkon Ki Chaaon Men) (7)
13)ehsaan teraa hogaa mujhpar(Junglee) (7)
14)vo aaye hain dil ko qaraar aa gayaa * - Malkia Salomi
15)baandhi re kaahe priit (Sankoch) *
16)umangen dil kii machali muskuraayi ZINDAGI apani (Jugnu) (8)
17)rim jhim ke giit saawan gaaye (Anjaana) (6)
18)man re tuu kaahe na dhiir dhare, o NIRMOHI moh na jaan (5)
19)abhii to sajii hai muradon ki duniyaa (Zindagii) (8)
20)na ye CHAAND hogaa, na taaren rahenge (Shart) (1)

Then came the bonus clue. I asked the teams to look at the beginning portion of the songs and find something hidden. The first letter of each song adds up to "Kumar Sachin dev Burman". This was purely to check errors and Vish's team realised that they got no.7 wrong. They identified it as "phir chhedne aaii vo kaali badariyaa" from Rasiyaa.
Both the teams got A grade on the quiz.
Number of Lyrcists:
Next Vish posed some questions.

Which composer worked all of the following lyricists.
Sahir, Sailendra, Shakeel, Majrooh, Hasrat, Narendra Sharma,Rajinder
Kirshan, Pradeep, Prem Dhawan.

Ashok guessed SDB. I wasn't 100 % sure if SDB worked with Prem Dhawan but since no other composer matched, seconded that.

Which composer worked with maximum number of lyricists ?
Based on Ketan's post on RMIM long back I would Say Roshan. He worked
with 50 + lyricists.

Who worked with minimum ? Answer is trivial if we don't impose any restrictions. I mean if we can
pick with composers who did 1 or 2 movies or for that matter one song like Sudha Malhotra.
Surjit Singh's idea was to write a perl script to parse the geet kosh
:)

Desert Island Soundtracks: Since Ashok / Chetan's analysis will cover all the team's I will just
focus on the our team's choices.

Nimish was the captain and our team included ML Kapoor, Kamlesh Kapoor, Dr.Shekhar, Dr. Shekhar's mother and Nachiketa's mother. Given Nimish's picks our team didn't have too much debate on the era from which tracks need to be chosen. All our final choices were pre 70's. We did discuss about RD Burman and soundtracks, Amar Prem and Aandhi. However they didn't make
the cut. We began by choosing everyone's favorites and removing those where there were objections. Ater a first pass we ended up with Basant Bahar,Hum Dono, CID and Sahib Biwi Aur Gulam.
We then realised that not a single track of Roshan and Madan Mohan were present and no track had songs of Talat. As Baiju Bawra was already picked, we decided to drop Basant Bahaar to add more variety. Nimish and myself wanted Tarana but consensus was towards Qismat. We picked up
Mahal over Tansen though.

Guide
Madhumati
Mahal
Taj Mahal
Baiju Bawra
Wo Kaun Thi
Qismat
Barsaat
Anarkali
Sangdil
After I presented our selections to the audience I realised that we had no Saigal and Kursheed:( I am sure I would have got support from the team and we may have included Bhakta Surdas among our picks. Over all the three quizzes covered VOL I to V and the desert island track disucssion went beyond that, right upto Bunty Aur Babli. In a nut shell songs from practically every decade of HFM got their share of focus.

SDB's BIO AV :
Recently sdburman.net did a centenary tribute to the composer in Delhi. That included an audio visual on the life of the composer and it was played at the meet. Lot of effort went in not only to make the AV for the SDB centenary show but to get it in a presentable format for the RMIM meet.
Pavan was awake for most part of two consecutive nights to redo the audio visual at high fidelity and remove glitches. Pavan, Ritu and your's truly were on conference chat to deicide on the
logistics. We needed information of the equipment avaliable at the venue in real time. Vivek Gaurd immediately responded to my instant messages. Aashish Thakker (who was busy with a forthcoming
international trip) promptly set up an account for me on his server and also set up web access.

Because of the flight change I didn't get around to make the VCD and had to deligate it to Nimish.
Thank you Aashish, Nimish, Pavan, Ritu, Vivek and everyone mentioned blow.

credits ( from the AV clip)
VOICE OVER
Saajid Hussain
TECHNICAL ASSISTANCE
Ramesh Kumar
RESEARCH ASSISTANCE
Sonu
LIFE STORY SKETCHES
Usha Sudhir
PORTRAIT SKETCH
Sameer Mahalookar
ACKNOWLEDGEMENTS
Asad Kidwai - Script
Mohan Siddharth - AV Concept
RARE FOOTAGE COURTESY
Kaustubh Pingle
Pavan Jha
Bheemsinh Rahangdale
Aniruddha Bhattacharjee
&
Mrs Basanti Datta (SD Burman's grand-niece)
SOURCES
Filmfare Archives
All India Radio
The book Bhati Gang Baiya
www.SDBurman.Net Archives
POST PRODUCTION
JIMS Studio
Kalkaji, New Delhi
SPECIAL ASSISTANCE
Pavan Jha
PRODUCTION & EDITING
Imran Ali
SCRIPT & DIRECTION
Ritu Chandra

Chetan's presentation: Chetan Vinchhi is planning an event in Bangalore to commemorate 75
years of sound and solicited the opinions of the audience.

Singing session: Chronologically this came in before SDB's AV. As Nachiketa was leaving,
he was requested to sing a few songs. All I can recall now is that he sang 3 songs. Someone pls. fill
in here.

Gautamda then enthralled with his mouth organ. He played Sachinda's "ye dil na hotaa bechaara",
"ik ladki bhiigi bhaagi si" and one Salilda number. Was it " Rajanigandha phuul tumhaare" ?
Deepak Sabnis rendered "hai apna dil to aawara".

Pradeep Dubey then took center stage with the Salil-Mukesh masterpiece "nain haamre saanjh sakaare" and the Soorat Aur Seerat number "bahut diyaa dene waale ne". He also tried to sing the Rajanigandha number in Rehsmiyaa style " ra ra ra ra rajaniganda" :) RMIM's first couple Richa and Ravindra rendered "chupa lo yuun dil men pyaar meraa". Ravindra also sang the Sajni number "qismat ka nahiin dosh baanvare". Neha then asked Vivek to sing an Anil Biswas song and he obliged with "beimaan tore nainwaa" and quipped that he has to compensate by singing an ARR number. He promtly changed gears with "luka chupi" from Rang De Basanti. It was time for the cult song "kajraa re" from Bunty Aur Bubli and everyone sang along.

It was past 1:00 pm by then and Ravindra & Richa dropped me at Nimish's
place. It was another memorable weekend I am looking forward to the
next meet
chalta rahe ye carvaan
umr-e-ravaan ka carva

Saturday, September 18, 2004

RMIM meet report - Denver (2004)

The Denver bash was a blast. Many thanks to Gargi, Guri, Arushi and Baba. Having missed the last two Denver meets as well as this years Ottawa meet, I was keen not to meet this one. Samik Dasgupta (who lives in Boulder) invited me to his place and graciously offerred to show me the rockies. I reached Denver on Wednesday evening and we explored the rockies on Thursday and Friday. We had lots of filmi style conversations on the way.
Samik: Boulder men pahaadon ke alaawaa ladkiyaan bhii sundar hai.n.
Yours truly: Jaani, bachke rehna. kahii.n "patthar ke sanam" na mil jaaye.
chalo dil daar chalo, Guri ke dwaar chalo

On Friday evening we began our journey to Guri's house. I call it a journey because the half an hour drive seemed to like "chaand ke paar chalo". Here is a filmi conversation during the drive.
yours truly: boulder ka baadshah hote hue exit kaise miss kiyaa ?
Samik: "jaani, sahii raaste pe chalke koii bhii manzil pahunch saktaa hai. Lekin galat raaste pe jaake makaam pahunchna bachchon ka khel nahiin. Ye sirf baadshah kar saktaa hai".

Finally we arrived at Guri's house. We were greeted with delicious food. The singing session followed. Guri kicked it off with "diyaa jalaao jagmag jagmag". Soon Vish took over and sang some lovely numbers like "dheere se jaana bagiyan men" and "mujse pehli si muhabbat mere mehboob na maang". Dinesh Krishnajois sang some Kannada and Malayalam songs composed by Salil
Chowdhury.(Salilda's daughter Aloka was among the guests. Her son and his fiancee were also present). These included "harusha duurada" by P.Suseela from Samsayaphala. This song is the Kannada version of "madbharii ye hawaayen" from Anokha Daan. He also pointed out the movie had the Kannada version of "naam meraa nimmo" from Sapne Suhane. The Kannada version is by
L.R Eshwari and goes "dooradinda bandanta". Pragya (Vijay_ji's wife) took center stage and sang some rare Lata songs including "jaa re chandr aur kahiin jaa re", and "jaa re jaa re merii chhoD
chunariyaa". Balaji enquired if the latter was composed by Roshan.I cudn't hear that properly and said, "No. Its Zindagi Aur Ham, Roshan". Later when a Roshan song was sung, Guri commented "the composer is Zindagi Aur Hum Roshan".

Vish pointed out that "jaa re jaa re merii chhoD chunariyaa" is based on Raag Gara and also mentioned a couple more Roshan songs including "kaahe banoji anjaan jaadu Daalke" (Madhu) also based on the Raag. When I pointed out that Vish's commentary in the Roshan commemorative on this Raag begins with "chaa gaye baadal niil gagan par", Guri was quick to comment "People surely listen to the commemoratives". Ashok, are you reading ? :) Pragya also sang "dhiire se gagari utaar re" from Zindagi Aur Hum. Portland ke Talat'wale (read Balaji Murthy) sang "shaam-e-Gam ki qasam" and "jalte hai.n jiske liye". Sushruth Vaidya sang a Marathi song by Sudhir Phadke and Asha from the movie Avagachi Sansaar.I can't recall the song but it wasn't ruupaas bhalale mi. Incidentally there wasn't a Marathi takeover. Probably the only group who could counter the Punjabi strength were Bengalis.Around 2 pm I and Samik left to his house and came back on around 12 noon on Sunday.
Here are some of the events that took place on Sunday with a brief description of each.
Vijayalaxmi's interview: An interview with 78 rpm record collector Mr.Narayan Mulani was presented by VOA announcer Vijayalaxmi. Snippets of Mr.Mulani's favorite songs were also played. These included "zamaane ka dastuur hai ye puranaa", "tumhare bulaane ko jii chaahataa hai".
Guri's video quiz: A cascade of Movie title shots were shown with accompanying music. We had to identify the movie names, themes and subthemes. As usual Vish was in one team and Satish ji was in the other. The theme was Salida movies and the subtheme was "Bimal Roy and his associates". Aloka's presentation: A slide show of rare and nostalgic photographs of Salilda. Aloka also talked about each photo and quizzed us about the personalities in some of the photos.

Tribute to Kevin Iyer: Guri, Hari Iyer, Abhay Jain and Mathew Iyer in that order spoke about Kevin, the 17 year old wonder kid, who passed way last year. Most of us were broke down while listening to the tribute.A 2 cd Mukesh commemorative was distributed in Kevin's memory.

Chitragupt commemorative: A 4 cd commemorative of Rare songs by composer
Chitagupt Shrivastava were presented.

Nita's quiz: Each clue had a set of three words that appear in the same order either in mukhda or antaraa. We had to find the song from these words Satish ji's one song quiz: "phaili huii sapnon ki baahen" by a male voice was played and we had to guess the singer. The guesses included Jaidev, RDB, Dev Anand. The correct answer turned out to be Vijay Anand. This version was
from the movie Chor Chor.

A quiz by your's truly: I will post a seperate report on this soon. Discussion anchored by Abhay Jain: What would have happenned if Noor Jehan didn't leave India. The discussion went so long that this needs a seperate post.

Guri's presentation on Noise cleaning software, Soundforge and Cool Edit Pro.

After all the events were finished we had singing session. I recall only some of the songs" Vish sang a bunch of Ghazals including "ranjish hi sahi". He also sang "jaa re badra bairi jaa", "chandaa chamke niil gagan men". Pragya sang "do nainon ne jaal bichaaya". Balaji sang "Zindagi Ki Kasam".
Then Guri took over and sang many Saigal, CH Atma and Pankaj Mullick numbers as well as the perennial meet favorite "chalat musaafir". I and Samik left around 2 am but the singing session was still going on. The meet report isn't complete without mentioning about the delicious food
including desserts like baadam halwa and Kulfi.

Friday, July 16, 1999

RMIM meet report- New Jersey (1999) - part 1

This is Part 1 of the RMIMeet held at NewJersey on July 16-17. This being my first meet I have decided not to transcend the limits of decency and at the same time capture the spirit of the RMIM(trenscend the limits of decency).

Purvi, Chetan, Mr. and Mrs.Vinchhi Zindabad. I felt very much at home thanks to their hospitality. Infact I was home sick after leaving New Jersey. Within a couple of days after the meet
Chetan scanned the meet photos and sent them.This put me on overdrive and prompted me to jump into fray and write the report.

Pehle aap pehle aap ka maahool chaya hua tha but this time I happened to be the driver. Before writing the actual report I would like to express my feelings after the meet, and give an account of the premeet hungama.
 Huzoor Hariharan Haazir ho.
I hope Ramesh Hariharan doesn't run away from RMIM after reading my TERM PAPER.
The reason being "Apni to har aah ek toofan hai".

RMIMeet is an Oasis in a desert where I met a rare group of people who patronize vintage music.
Sanjeev and Armeen Ramabhadran inspired me with their singing and the spontaneous outburst of emotions took the shape of this poem.

They came they conquered they left
Leaving behind thoughts to reflect
And fond memories that were rife
Giving company to my deserted life
This cast a magic spell
And forced me into a shell
Till my mind and body came to rest
Soon began an eternal quest
For yet another oasis
An escape from my nemesis.
Srinivas Ganti(Hyderabadi).

Owing to God's grace I found the Oasis pretty soon. In fact two of them them one in NewJersey and one in the Bay Area.
Tum Jo milgaye ho to ye lagta hai ke jahaan milgaya hai
Ek bhatke hue raahi ko caarvaan milgaya hai.

Before anybody gets a doubt if this is a poetry forum I welcome poetry lovers to email me seperately.
Bandwidth ka barbaadi bund(stop) karneke liye.

So much for my feelings I already sense your feelings. Those who did not attend any meets must be jealous and others who did attend earlier meets must be wondering about the specialty of this one.
Sorry folks I pity you. To rub salt on your wounds, the fortunate few who did come must be
reliving those happy moments and cherishing the memories.
As promised here's the premeet hungama. It all started on Monday,July 12 when Chetan sent a mail indicating driving directions for the meet.The reply to this was a suggestion that "The Sonu Nigam Show" on Saturday would serve as a perfect finale and this snowballed into a chain of unprecedented proportions.The chain ended with this mail."If you or anyone else is interested in programming /designing position in the financial industry, then please send me your resume".(Owing to a
grave security threat I chose not to make the names of the people public).So u can guess that we were subject to an entire gamut of issues.This chain emailing reached its peak on Tuesday when we got 60
emails within 2 hours. Needless to say it served as an ideal warm up act
and geared me for the Mahabharat.

So I was ecstatic as Friday approached and there was no doubt in my mind that this ocassion would inspire me and the result would be poetry. Unfortunately I underestimated the proportions of the
impact. By the time I and Arun Sampath reached Chetans house Anil Hingorani, Sanjeev and Armeen Ramabhadran and Ashwini Deshpande had already set the house on fire.So I called 911 and the fire engines promptly arrived but it was of no avial. It needed Talat's voice and the song "shaam-e-gam ki kasam aaj gamgeen hain hum" to extinguish the fire.Though my stomach was full of rats my mind was full of songs. So I wasn't able to notice what I was eating.I was trying to get expert
opinion on whether Roshan was less talented than SDB and MadanMohan as proclaimed by an interview that says "Bahut Diya denewale ne tujhako magar aanchal he na samayii to kya kijiye" concluding that Roshan did not do Justice to his potential.This is certainly a travesty of the
truth. The HMV gimmick of not releasing Raagrang and Naubahaar until recently and Vividh Bharatis step motherly treatement of Roshans 50's gems gave credibility to the biased view.The discussion was abruptly ended as the person I was looking forward to graced the ocassion.Enter
"The Burman Fan(atic)"(No prizes for guessing.Scroll down at the bottom for the answer.)Ashok Dhareshwar,Satish and Saroj Kalra, Ajay Divekar and his wife, Surajit Bose, Hemlata Khemani, Moloi Banerjee(from bangalore), VeenaNayak were the next arrivals.We were waiting for Nita Awatramani. Her enthusiasm should be appreciated as she came from LA inspite of
being pregnant.It was already 1.00 am or should I say only 1.00 am. Nita was so pumped up that she started beating everybody with pillows. 0ops I forgot to mention Achyut Joshi, the kid of the meet.(Janaab aapko hum kaise bhool sakte hain). Achyut's parents must be given credit for
instilling roots of Indian Music into him.I was Amazed when I came to
know that Sanjeev Ramabhadran was born and brought up in US.

A big discussion started on the pronunciation of Devanagiri Script(Does this ring any bells).I felt as is I was meeting people that I knew since ages and we were chatting well into the wee hours of the morning. Ashok, Satish,Chetan,Surajit were giving final touches to the casettes that were to be given to us.This time it was a compilation of rare songs of Mannadey.I was pretty tired and tried to
sleep. But I managed to lie down reflecting on the the people and trying to Juxtapose them in real and virtual(on the net) world.I was waiting for the next morning thinking of the excitement that was in store ...
"Woh subah kabhi to aayege
jab ambar jhuum ke naachegii
jab dharatii naGame gaaegii
vo subah kabhii to aayegii"